E
Economics
and cultural theory
Encoding-Decoding
Enlightenment
Existentialism
Expressionism
ECONOMICS AND CULTURAL
THEORY
Under
construction at present (typical of economics, eh?) but could become a
special
topic sometime in the future.
Basically, though, cultural and critical theory is very
closely bound up with the capitalist economic system.
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ENCODING-DECODING
Stuart
Hall developed a theory of text which allowed for a measure of
"negotiated" or "oppositional" readings of the text by the audience.
In particular he proposed a model of encoding-decoding of media
discourses. In this the meaning of the text, which is located
somewhere between its producer and the reader, is framed
(or encoded) by the producer in a certain way, and the reader decodes
the text's message slightly differently, according to his/her personal
background, and the various different social situations and frames of
interpretation. (Denis McQuail, Mass Communication Theory: An
Introduction.).
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ENLIGHTENMENT
A
European cultural movement that reached its height in the 18th
century, but which still resonates today. Enlightenment theories about
economics
and philosophy (see core
concepts), still widely held today, have provided the basis for
numerous critiques from numerous critics, including members of the Frankfurt
school and most of the leading French
thinkers of modern and postmodern eras.
Characteristics of the Enlightenment:
1) Reason
should control your actions, not dogma. Don't believe something just
because it's traditional.
2) Doubt everything, lead to
Locke's concept of political rights.
3) Linked to
development of modern science, e.g., Immanuel
Kant.
4) Important figures - Descartes,
John
Locke, Leibnitz, John Stuart Mill, David
Hume, Adam Smith, John
Milton.
(Related)
Classical liberal notion of society:
Perhaps the
archetypical expression of the classical liberal notion of society is
in the Declaration of Independence:
"We hold these truths to be self-evident.that all
men are created equal, that they are endowed by their Creator with
certain unalienable Rights, that among these are Life, Liberty, and
the pursuit of Happiness. That to secure these rights, Governments are
instituted among Men, deriving their just powers from the consent of
the governed. That whenever any Form of Government becomes destructive
of these ends, it is the Right of the People to alter or to abolish
it, and to institute new Government, laying its foundation on such
principles and organizing its powers in such form, as to them shall
seem most likely to effect their Safety and Happiness."
*** The
Enlightenment defined and celebrated modern ideas about reason and
rationalism***
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EXISTENTIALISM
I.What is
existentialism?
Well, it's a view of the world that exaggerates the
role of the self in everything. It's an attitude of
self-consciousness; "One feels himself separated from the world, from
other people. In isolation, one feels threatened, insignificant,
meaningless, and in response demands significance through a bloated
view of the self" (Solomon, Existentialism, p. xi). However,
existentialism is not the same as solipsism, which is a belief
that you can't trust the reality of anything outside your body (a bit
like a skeptic, only more extreme, because solipsists doubt the
validity of everything, not just the nature of truth).
Existential philosophy still accepts outside reality, even though that
reality is fundamentally alienating to the individual. Adherents
include Soren
Kierkegaard, Albert Camus, Jean-Paul Sartre.
II.How is
existentialism different from poststructuralism?
At first sight
they seem very similar, in that both address the lack of true meaning,
and the absence of the "real",
in the universe. However, Poststructuralism
also emphasizes the "decentered" nature of life (i.e., since
everything exists only in relation to everything else, there can be no
"center"). Existentialism, by contrast, still recognizes the center.
Thus, e.g., for Jameson,
the subject in a postmodern world is not alienated, but rather
fragmented. "Alientation presumes a central, unitary self . . . [b]ut
if, as a postmodernist sees it, the self is decentered and multiple,
the cocept of alienation breaks down. All that is left is the anxiety
of identity" (Turkle, 1995: 49).
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EXPRESSIONISM
A European
artistic and cultural movement that reached its height in the late
19th and early 20th centuries. Expressionism was a major outgrowth of
the modernist
movement in Europe. Expressionist work emphasized revulsion with the
impersonal, routine, mechanical nature of modern urban and factory
life (e.g., Fritz Lang's Metropolis), thus continuing an
important aspect of romantic social thought. Unlike French
montage, expressionist juxtaposition of images protested
against the modern city and its mechanistic impulses.
Its major
practitioners included Munch, Kandinsky, Kafka, Schoenberg, Beckmann,
etc. "In the best expressionist work ... its strength lies precisely
in the refusal of resolution, harmony, or easy comfort (a point Adorno
was to emphasize in his praise of Schoenberg)" (Lunn, p.
62).
CT. Subject Index
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